🔥🔥🔥The City; Climb or Escape🔥🔥🔥 . . The ruthless London is represented cut in two parts, up the railways/trains /buses / tube is the wealthy one, and down is the humble side. - Sitting next to the buildings is a fox wearing a suit and sunglasses. He is dropping fire on the streets and the people downside from a teapot. He represents the powerful London white collars controlling the City. - Some warning signs prevent the people to access to the upper class, while a footballer and fireworks are there to catch the public attention for them not to watch at what the fox is doing... - But under the bridge/border looking like a greedy mouth swallowing commuters, people are trying to escape their condition in many ways... - Some are climbing a wall made of rubbish, some others are praying, one is laying dead on the floor ... - Some hands are coming from even lower, looking like lost souls... - And in the middle left, the crowd of middle class people getting in the tube everyday like a cattle, not even seeing what is going on around... .
>When your words (and hands) are not able to traduce…
Need to merge with the material,
Being one with the paint,
Litteraly jump on the canvas to make your mark…
Pictural snapshot where you leave a bit of youself…</
UNCONSCIOUS, MOVE, TRACE, PRINT
On the canvas, my instinctive, impulsive unconscious is guiding the body to a random choregraphy.
On automatic mode, it projects matter on the canvas destroyed by lacerations, scratches, doodles, combustions, tears, miscellaneous erosions.
The way to do my paintings and collages seems at first like " Action Painting" (Rosenberg).
Moving motor is the melting of vital energy and psyché, but contrary to abstract expressionism, I let figuration merging from my relentlessness to fill the void canvas.
Abstract traces take shapes, as a Rorschach test (Psychodiagnostic).
Progressively controled move appears, linking lines and underlining these like a calligraphy.
Are these outlines illusions from my mad mind or "real" random?
Collage makes the creation be three-dimensional, emancipating from the frame, going out of it...
According to Arte Povera, the using of natural matters and recycling stuffs as shells, pine-nut, eggshell, rope, fabric, pearls... enriches artworks and creates the texturing, added to painting pate.
Susciting the want to touch, I try to make an interaction with the spectator; I left my prints and traces during my frenetic moves...
